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Draw-a-Person and Bender-Gestalt
of Carol P.
Merle Lenat
Psychological Testing
July 15, 1975
IDENTIFYING DATA
The name of my client is Carol P., a twenty-four year old married
woman. She is currently a Masters degree candidate in the reading
program here and has been my friend for about six years. I
administered the Draw A Person test to her on June 24 around eight
P.M. at her home in the bedroom. (My husband and her husband were in
the kitchen talking at the time.) A few weeks later on July 6 I gave
Carol the Bender Gestalt test again in her house around one in the
afternoon in the kitchen.
CLIENT'S PHYSICAL AND EMOTIONAL APPEARANCE
Carol is in good physical health. However she is not the outdoors
type and she looks pale. Her physical energy level is not all that
high. She is an intelligent woman and, although not at all
particularly good looking, she does the best (re: dress, make-up,
etc.) she can with what she has. She is left handed and uses it all
the time.
She was willing to take these tests for me as a favor because she
knew it was an assignment. She wanted me to do a tape with her for
her class assignment in return. She was suspicious and skeptical of
what tests could show even before we started.
TESTS RESULTS -D.A.P.
During the administering of the D.A.P. Carol did not ask any
questions at all. Her attitude was I will do this silly task as fast
as I can to get it over with. Hence she completed the first picture
of a girl in sixty seconds and the second picture (the boy) in ninty
seconds. She did express two or three times her anxiety about not
being able to draw. She drew her pictures from the head downwards
--head, arms, trunk, legs, feet. She giggled when she drew the
female's feet which I think was her task anxiety coming through. As
she drew the male she laughed and said, "This boy looks like my
girl." She then added, "This boy looks like a gorrilla."
ANALYSIS OF THE FEMALE PICTURE
Carol's first picture was that of the woman. The thing that stood
out the most with me was the very broad shoulders and the suspicious
looking eyes. The picture does not look at all like her. The mood
of the picture -- one of suspiciousness or cautiousness --looking
around to see who or what is out there is accompanied by a mood of
embarrassment about her body. Her hands are covering up part of her
she does not want seen by others (her abdomen).
The placement of the figure is in the middle of the page and the
picture is quite big. This may be indicative of a balanced and
expansive person. She is looking towards my right which may suggest
a need to be reality oriented.
The head, the first thing drawn, is small compared to the rest of the
body. The emphasis on the hair -its fullness and shading -- makes
the head area look bigger than it is. One could suppose this to mean
that her "control area" is inadequate for her impulses and that she
needs support from her hair (which is a symbol of virility and
strength) to help control her impulses.
The treatment of the eyes is elaborate and, as mentioned before,
looking askance. One cannot see into her eyes which are the windows
of the soul. The eyes are big and this suggests a need to know what
is going on around her. Since the eyes are stressed with long
eyelashes I feel that this is one of the most important parts of her
body.
The nose is long and straight possibly suggesting a need for
masculine or aggressive striving.
The mouth is full and does not suggest to me any tenseness. Possibly
it indicates an oral personality with oral strivings. (Carol,
herself, does talk a mile a minute repeating herself often. She also
loves to eat.)
Her neck is very long and thin and incompletely drawn suggesting that
her control area is inadequate and far from her impulse area (the
trunk) Her neck is reinforced by a button-like necklace which is not
choking her. The button on the necklace reinforces the hypothesis of
a need for oral dependency.
There is a suggestion of a midline emphasis with the nose, mouth,
necklace, a v-neck on her shirt being all in one line. This suggests
a preoccupation with the body and some dependence.
The ridiculously broad shoulders and chest of the body suggest that
the impulses of her body are about ready to explode and totally
dominate her. This again suggests the need for better control from
her head area. Carol did not draw breasts on her lady perhaps
suggesting an area of anxiety or conflict. Perhaps she is saying she
needs more nurturance.
Her arms and hands are very stiff holding or hiding her stomach area.
I hypothesize that she is anxious and embarassed about her
reproductive or genital area. Also I get the feeling that she is
separating her reproductive area from her impulse area. Her arms are
very short and no elbows or forearms are drawn. Her hands look very
stubby and both her hand and arms look very ineffectual in carrying
out the commands of the control area.
The exposed part of her legs are short perhaps again suggesting an
ineffectual mode of transportation or mobility in carrying out
commands of head. Her legs are completely shapeless unlike a female'
legs. Her legs are pretty close to the ground suggesting that she is
down to earth.
INQUIRY - D.A.P.
Carol's inquiry was interesting because she described herself mostly.
She even recognized this to a degree and said that she would like to
be like this fantasy person in most ways. In this setting of
answering questions Carol did need some structuring. She would ask
me, "What do you mean by bad habit?" or "Do you want a number?", etc.
One other interesting thing about her inquiry was that she noticed
that her hands were the worst part of the drawing and that the eyes
are the best. This suggests to me that perhaps her hands are very
ineffectual and her eyes are the most useful and effectual part of
the body.
BENDER GESTALT
For the Bender which Carol completed in five minutes she expressed
more need for structure. Examples of this were questions like "How
many papers should I use?" or "Where should I start?". Again she
expressed anxiety about her drawing ability.
The placement of design A in the middle of the page suggests that
perhaps she is the center of her world or needs to be. This can be
expressed as a strength; she takes care of herself first.
The arrangement of all of her figures shows a good use of space and
some expansiveness. She used both sides of the paper pretty fully.
The points in her figures are fairly sharply pointed suggesting a
tendency towards aggressiveness or assertiveness. This is true for
figures 3,4,7, and reinforced greatly in 8.
In figure A the square is not quite closed as it touches the circle.
Perhaps this suggests the "male" in her life is engulfing or
clutching at her greatly. This is a true fact right now since her
husband is being laid off from his job and is in need of great
emotional support especially from her.
Carol counted the dots on figures 1,2, and 5, suggesting a compulsion
to get the job done right. On figure 2 her mood variability was to
start out low and then raised a little, leveled of, and then raised a
drop more. All in all her mood is pretty steady and if it changes
the tendency is to swing towards optimism or denial.
The figure that is the biggest is number 6 -the emotional curve -
which suggests that emotions play a big role in her life at present
and perhaps dominate her. Another possibility is that she needs to
control all these big feelings she is having. The second hypothesis
is supported by the fact that her bottom vertical line (the
instinctual) is much bigger than the top (the control part).
The dependency figure #7 is darker than some figures and this
suggests that she still needs some dependency on a strong authority
figure.
Figure #8 shows again that she is the center of her world and the
points that are reinforced here suggests a need to be aggressive in
order to survive.
SUMMARY
Carol shows through her Draw-A-Person and Bender Gestalt that she is
an aggressive woman who needs some more control and support in her
life against her exploding impulses. Perhaps her aggression is her
way of controlling. Carol also shows that she is the center of her
world and needs to care for herself first.